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Recording Details
Presenting Yma Sumac

catalog no: 81050
Reissue of earliest recordings from 1943, part 1 of two disk set

A copy exists in the Archives in case there are specific questions about it. The Tiki logo is not on the actual artwork.

Coral Records - Monophonic - 1952 United States   7" EP

Historical notes
Liner Notes
This is a collection of early - perhaps the very earliest - recordings made by Yma Sumac, whose voice is one of the most phenomenal ever to issue from the human throat.  The lovely Peruvian girl has a range which is incredible.  It covers four full octaves, going from a deep, quivering contralto - almost a female baritone - to the clearest and highest of coloraturas, brilliant and bell-like.  But it is not only the range which is remarkable - a perfect blending of the tones of a woman and a bird - but the pure quality and enchantment of the singer's manner are indescribable.  Never have native songs been projected with greater magic.

Yma (ee-ma) Sumac was born September 10, 1927, in the town of Ichocan, 16,000 feet high in the Andes of Peru.

Her lineage is not only noble, but actually royal.  Her mother is a full-blooded Indian descended directly from Atahualpa, last of the Inca kings.  Her father is part Spanish and is a well-to-do landowner.  Yma Sumac, herself, is beloved wherever she goes; she is revered by her mountain people as a spiritual leader as well as a princess.

She began singing as a small child. Soon her unique gift, emphasized by her exotic beauty, caused the Inca authorities to designate her as their symbol, the favorite "Chosen Maiden" to sing at the festivals to the sun.  By the time Yma was twelve, word of her extraordinary talent had filtered down through the mountains to Peruvian government officials in Lima.  Led by the young composer-conductor, Carlos Moisés Vivanco, an expedition persuaded Yma's family to bring her to Lima for education, an event which caused severe unrest among the mountain Indians who had placed the child in a position of semi-deity and resented losing her.

After completing her education, Vivanco prevailed upon Yma Sumac's family to allow his protégée to make a professional career of music.  Since that time she has sung in major concert halls and theaters of North as well as South America.

In North America Yma Sumac has appeared with the Montreal and Toronto symphony orchestras; she has completed a West Coast concert tour; she has won enthusiastic audiences in Carnegie Hall and the Hollywood Bowl, and has performed on many radio and television programs.

Those who have heard her at the Cotillion Room of the Swank Hotel Pierre and other famous night-spots have immediately succumbed to her unique combination of personal charm and extraordinary musical skill - a combination which is preserved in these early but characteristic recordings.

(select song title to see other recordings with it)

      side one

    1. Virgenes del Sol    (trad. arr. Jorge Bravo de Rueda, Moisés Vivanco) - 3:21
    2. Qué Lindos Ojos    (trad. arr. Moisés Vivanco) - 2:18

      side two

    1. Cholitas Puneñas    (trad. arr. Moisés Vivanco) - 2:17
    2. Picaflor    (music: Rosario Huirse Muñoz, lyrics: Carlos. arr. Moisés Vivanco) - 2:18
    3. total play time (approx): 10:14

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