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Recording Details

Vinyl 12" LP reissue of Yma Sumac's 1961 LP of the same title using masters from the 2006 CD reissue on the same label as part of their 50th anniversary series.  This latest release, as in the previous one, does not benefit from any mastering and simply uses the raw Electrecord tapes that were supplied for the 2006 reissue and additionally uses unauthorized booklet notes that are copyrighted by and written for use exclusively for the 2006 reissue.

A review is available. This item or the material it contains is available in the Shopping area of this site. A copy exists in the Archives in case there are specific questions about it. In some countries, such as the United States, where the public domain laws are different, this may be considered to be a Bootleg release. The Tiki logo is not on the actual artwork.

ESP-disk - Monophonic - 2013 United States   12" LP

Historical notes
Liner Notes
Yma Sumac Recital
Live in Bucharest, Romania 1961

With the release of Voice of the Xtabay in 1950, people all over the world were astounded by one of the most unusual voices to emerge on the musical scene: Peruvian singer Yma Sumac, who glides effortlessly from contralto to coloratura, her voice covering a range of no less than four octaves! As long as records were the only evidence of her performances, there was no shortage of skeptics who doubted the authenticity of the recordings. But as Yma Sumac began to perform in concert halls all over the world, it became clear that the recordings were no mere studio tricks and that her records faithfully reflected her talent.

The voice of Yma Sumac is indeed a miracle of nature. However, if that were all she was, the public's interest would not have gone beyond mere curiosity. What has made the singer's abilities so striking is the fact that she has managed to use the immense vocal resources at her disposal, resolutely striving for genuine artistry. Her early repertoire included popular music and jazz pieces, which she performed in her own inimitable and scintillating style. However, by 1961, when this recording was made, she had abandoned this path, devoting herself to the noble and challenging goal of making known the music of her homeland. The folklore of Peru, influenced by the Spanish musical tradition, has become widely known and appreciated, due in large part to the artistry of Miss Sumac. In addition to Peruvian music, folk songs from neighboring countries - Bolivia, Chile, etc - became a major part of Yma Sumac's repertoire.

In June, 2006, Yma Sumac was honored by Peru's highest tribute, the Orden del Sol (Order of the Sun) medal. To receive the award, and many others including the Key to the City of Lima, she visited Peru, where she created a reawakening of her music in South America. She was received warmly by fans of all ages. We hope, in our own small way, to also honor her with this release of a rare moment in musical history!

(select song title to see other recordings with it)

      side one

    1. Taita Inty    (Moisés Vivanco, Les Baxter) - 5:55
    2. Wambra    (Moisés Vivanco) - 3:15
    3. Ataipura    (Moisés Vivanco, Les Baxter) - 3:24
    4. Montana Mama    (Moisés Vivanco) - 4:06
    5. Supay Taki - 3:27
    6. Amor Indio    (arranged by Moisés Vivanco) - 3:06

      side two

    1. Hori Canastitai - 2:41
    2. Serenata India - 2:22
    3. Goomba Boomba    (Billy May) - 3:56
    4. Cueca Chilena    (Moisés Vivanco) - 3:27
    5. Llama Caravana    (trad. arr. Moisés Vivanco) - 2:27
    6. Marinera    (trad. arr. Moisés Vivanco) - 3:16
    7. Chuncho    (Moisés Vivanco) - 6:51
    8. total play time (approx): 48:13

    Show others with this title (6 entries) Back to Top