Recording Details
catalog no: ECA-148
Reissue of sixth album, this is the only cassette reissue of this album known. Although there were stereo masters, this release is a stereo conversion from monophonic masters, which were recorded separately from the stereo versions. Not labeled to be Duophonic as such but clearly not stereo and not monophonic either.
A review is available. A copy exists in the Archives in case there are specific questions about it. The Tiki logo is not on the actual artwork.
Industrias Electricas y Musicales - Duophonic - 1985 Perú Cassette Tape
Historical notes
- Only cassette release known
- Rather than using the stereo masters, this cassette was made using the monophonic masters then reprocessed into simulated stereo, probably using Capitol Records' Duophonic process
- This cassette uses a black plastic slip-sleeve rather than the traditional case
- Yma Sumac's last Capitol Records recording
- Moisés Vivanco and his Orchestra Tipica
- First album by her to be recorded in stereo
- The monophonic and stereo versions were recorded separately
Liner Notes
This tape release does not have liner notes Tracks
(select song title to see other recordings with it)
Hide listing
- La Molina (Francisco Ballesteros) - 3:27
- Flor de Canela (Chabuda Granada) - 3:21
- Gallito Caliente (Heraclio Cuentas) - 1:56
- La Pampa y la Puna (Ricardo Walter Stubbs, Carlos Walderrama) - 3:08
- Dale que Dale (Moisés Vivanco) - 3:10
- Llora Corazon (trad., arr. Luis Galves Roncero) - 2:59
lado a
- A la Huacachina (Angel del Valle) - 3:26
- La Perla de Chira (Guillermo Riofrio Morales) - 3:43
- Mi Palomita (trad. arr. Moisés & Carlos Vivanco) - 3:16
- Virgenes del Sol (trad. arr. Jorge Bravo de Rueda, Moisés Vivanco) - 2:51
- Gallito Ciego (Edmundo Zaldirar) - 2:15
- Clamor (Elisiaro Rueda Pinto) - 2:54
lado b
total play time (approx): 36:26
Other entries with this title
catalog no: T 1-1169
This Peruvian release of Yma Sumac's sixth album possibly dates back to 1959, though we are not sure. We are sure that this was her most popular recording there since it features folk music familiar to many people throughout South America. Interestingly, the liner notes are in English while Sou . . . 1959 Perú
catalog no: ST-1169
Sixth album, this stereophonic version had many tracks recorded separately from the monophonic versions. This was Yma Sumac's first stereo recording. 1959 United States
catalog no: T-1169
Sixth album, different recording session than stereo version on many tracks. 1959 United States
catalog no: ST-1169
Release from Venezuela of Yma Sumac's six album, recorded in 1959. Though not dated, we believe this pressings dates back to the original release from 1959. It is interesting to note that, though stereo masters were available, this release is in Duophonic, which was Capitol Records' simulated st . . . 1959 Venezuela
catalog no: T-1169
Only known release from Italy of Yma Sumac's six album, recorded in 1959. Though not dated, we believe this pressings dates back to the original release from 1959. 1959 Italy
catalog no: T-1169
This Brazilian pressing of Yma Sumac's last Hollywood recording was pressed by Odeon S.A. for Capitol Records and has a built-in vinyl sleeve protector on the jacket. 1959 Brazil
catalog no: CP80016
Only known release from Japan of Yma Sumac's sixth album, recorded in 1959. Though not dated, we believe this pressings dates back to the late '60s. 1969 Japan
catalog no: 8326812
Serialized collectors compact disc from France, though actually manufactured in Holland. 1995 France
catalog no: 7243-8-32 681-2-2
Reissue of sixth album, monophonic masters used by mistake 1996 United States
catalog no: 7243-8-32 681-2-2
Reissue of sixth album, stereo reissue but not indicated as such anywhere 1996 United States
catalog no: 7243-8-32 681-2-2
Reissue of sixth album, stereo reissue, marked as such on disc only 1996 United States